### [Henry Lamp：玻璃砖中的建筑之光](https://01des.com/project/74)

**Published:** 2026-08-14T09:04:50

**Author:** SIIL DESIGN

**Excerpt:** Clément Pasquier Studio 将工业玻璃砖转化为一件兼具建筑感与雕塑感的发光装置。

Lighting · Material Study · Paris

Henry Lamp 将一种熟悉的建筑材料转化为具有雕塑感的室内光源。巴黎设计师 Clément Pasquier 以工业玻璃砖为主体，让原本负责引入日光的墙体构件，变成从内部发光的垂直灯具。

Henry Lamp transforms a familiar architectural component into a sculptural interior light. Paris-based designer Clément Pasquier turns industrial glass blocks—normally used to bring daylight through walls—into a vertical object illuminated from within.

![Henry Lamp 在昏暗工业空间中发出温暖光线](https://cdn.01des.com/uploads/2026/08/20260814-090218-QGaNtZ6E.webp!dis)

Henry Lamp, illuminated view. Photography: Luc Borho.

## 01 · 从建筑立面到室内灯具

玻璃砖曾被现代主义建筑师用于兼顾采光、隐私与结构秩序。Henry Lamp 延续这种建筑记忆，却改变了光线的方向：光不再穿过外墙进入室内，而是从砖体内部向外扩散。

**From façade to interior light.** Glass blocks were embraced by modernist architects for their balance of daylight, privacy and structural rhythm. Henry Lamp retains that memory while reversing the direction of light: illumination now radiates outward from inside the blocks.

![灰色背景中的 Henry Lamp 完整形态](https://cdn.01des.com/uploads/2026/08/20260814-090220-86Tj2mvz.webp!dis)

Full object view.

![玻璃砖与金属框架细节](https://cdn.01des.com/uploads/2026/08/20260814-090223-f2k4UGBO.webp!dis)

Glass and metal detail.

## 02 · 玻璃内部的光学层次

每块玻璃砖由压制成型的半壳高温熔合而成，内部空腔、模压纹理与玻璃厚度共同改变光线。灯具点亮后，亮度在不同深度之间折射和散射；观看者移动时，光场也会随角度变化。

**Optical depth inside the glass.** Each block is formed from pressed glass shells fused at high temperature. Its cavity, moulded texture and material thickness redirect the light together, producing a luminous field that changes as the viewer moves.

![Henry Lamp 正面视图](https://cdn.01des.com/uploads/2026/08/20260814-090225-G2J85DlS.webp!dis)

Modular front elevation.

![深红背景下点亮的 Henry Lamp](https://cdn.01des.com/uploads/2026/08/20260814-090227-glDx9Z7g.webp!dis)

Warm light against a deep red field.

> 建筑构件不再只是承载光线，而成为光线本身。  
> The architectural component no longer carries light—it becomes the light.

## 03 · 工业材料的真实痕迹

设计采用法国 La Rochère 重新生产的工业玻璃砖，而不是复制玻璃砖的视觉效果。轻微的绿色、模具接缝和制造差异被保留下来，使生产过程成为作品的一部分。

**Visible traces of production.** The lamp uses industrial blocks reissued by the French glassmaker La Rochère. A faint green tint, mould seams and subtle variations remain visible, allowing the manufacturing process to become part of the object.

![大型工业空间中的 Henry Lamp](https://cdn.01des.com/uploads/2026/08/20260814-090228-4U4SQMNZ.webp!dis)

The lamp as a luminous architectural element within a raw interior.

## 04 · 在灯具与建筑之间

关闭时，Henry Lamp 像一段独立的玻璃砖墙或小型纪念碑；点亮后，暖色光线削弱了玻璃与金属的重量感。它既是功能照明，也是划分空间、建立视觉焦点的发光构件。

**Between lamp and architecture.** Switched off, the object resembles a freestanding fragment of glass-block wall. Illuminated, its warm glow softens the visual weight of glass and metal, turning it into both lighting and a spatial focal point.

![关闭状态下的 Henry Lamp](https://cdn.01des.com/uploads/2026/08/20260814-090231-LnLBaYKG.webp!dis)

Sculptural presence when switched off.

![金属底座与下部玻璃砖细节](https://cdn.01des.com/uploads/2026/08/20260814-090233-zt7nngcd.webp!dis)

Base, cable and lower glass-block detail.

## 05 · 现代主义材料的当代表达

作品让人联想到 Maison de Verre 等以玻璃砖塑造空间的现代主义建筑，但它并非缩小建筑立面，而是重新思考材料与光源之间的关系。最终呈现的是一件兼具建筑尺度感、工业质感与居住氛围的当代灯具。

**A contemporary reading of a modernist material.** The work recalls interiors such as Maison de Verre without merely reducing a façade to furniture scale. It reconsiders the relationship between material and light source, combining architectural presence, industrial character and domestic atmosphere.

![Henry Lamp 的玻璃纹理与点亮状态](https://cdn.01des.com/uploads/2026/08/20260814-090236-HYxBwiZf.webp!dis)

Glass texture and illuminated states.

**Project credits**  
Design — Clément Pasquier Studio  
Photography — Luc Borho  
Original feature — Leibal

**Categories:** 商业

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