Avenue Floquet：一位收藏家的巴黎私人世界

RESIDENTIAL · PARIS

在Avenue Floquet，画作不只挂在空出的墙面上。它们出现在壁炉两侧、沙发背后和座椅旁，与家具、雕塑和器皿一同占据房间。这里是Sheikh Hamad bin Abdullah Al Thani在巴黎的私人住宅，室内由他与Alberto Pinto共同布置。

At Avenue Floquet, paintings hang on either side of the fireplace, behind sofas and beside chairs. They share the rooms with furniture, sculpture and vessels in the Paris home that Sheikh Hamad bin Abdullah Al Thani decorated with Alberto Pinto.

接待厅的尺度The scale of the reception room

宅邸位于巴黎第七区，可以望见埃菲尔铁塔。它建于20世纪初，经历过多位居住者和装饰者的调整；本篇呈现的是Sheikh Hamad与Pinto合作形成的室内，而非一项刚刚完成的住宅改造。

The early twentieth-century house stands in the seventh arrondissement, within sight of the Eiffel Tower. Successive residents and decorators have altered its interiors. The rooms shown here date from Sheikh Hamad’s collaboration with Pinto.

红色接待厅以壁炉为中心，绘画、挂毯与装饰构件占满周围墙面。枝形吊灯悬在高处，几盏台灯摆在座椅旁的小桌上。

The fireplace anchors the red reception room, where paintings, tapestries and architectural ornament fill the surrounding walls. A chandelier hangs overhead and table lamps stand on small tables beside the seating.

楼上的另一种色调A change of palette upstairs

楼上的Art Déco房间换成象牙白与柔和金色。肖像画挂在带有菱形纹样的墙面上，金黄色座椅与几何图案地毯相邻。相比红色接待厅，这里的墙面颜色更浅，但陈设同样密集。

Ivory and soft gold take over in the upstairs Art Deco rooms. Portraits hang against diamond-patterned walls, and golden seats stand beside a geometric rug. The walls are paler than those downstairs, but the display is just as dense.

另一间小客厅采用蓝色墙面与沙发，装饰镜悬在沙发上方，台灯、烛台和枝形吊灯分布在不同高度。另一处墙面上，小幅肖像环绕镜框，下面的长桌摆着雕像和烛台。不同房间各有配色，收藏始终贴近家具与座席。

In a smaller sitting room, the sofa picks up the blue of the walls. An ornamental mirror hangs above it, with lamps, candlesticks and a chandelier at different heights. Elsewhere, small portraits frame a mirror above a long table of figures and candlesticks. Each room has its own palette, with objects displayed close to the furniture and seating.

让收藏留在房间里Living with the collection

这批收藏包含绘画、银器、瓷器、历史家具与20世纪设计。从室内照片看，肖像、雕塑和器物常在同一面墙或同一组家具周围出现。

The collection ranges from paintings, silver and porcelain to period furniture and twentieth-century design. The photographs show portraits, sculpture and vessels sharing a wall or gathered around a group of furniture.

脱离室内单独拍摄的藏品，让人能看清雕花镀金长椅的曲线、银质冰酒器的支腿，以及肖像画里的服饰细节。在楼上的沙龙，一幅全身肖像几乎与墙面等高；沙发后的几幅小画则挂得低些，与长桌上成排的小雕塑相邻。

Individual photographs bring out the curves of a carved gilt settee, the legs of silver wine coolers and the clothing in a painted portrait. In the upstairs salon, a full-length portrait almost fills the height of the wall. Smaller paintings behind the sofa hang low beside a row of statuettes on a long table.

Avenue Floquet的布置围绕收藏展开，却没有把所有房间处理成同一种样子。红色接待厅、浅色Art Déco房间与蓝色小客厅各有尺度和色调，绘画、家具与器物则被放在座席、壁炉和桌面附近，构成一处供收藏家居住的私人住宅。

The collection guided the furnishing of Avenue Floquet. The red reception room, pale Art Deco rooms and small blue salon each have their own scale and palette. Paintings, furniture and objects gather around the chairs, fireplaces and tables of a collector’s home.